Author : Brandon Sanderson Preceded by : Alloys of Law Succeeded by : Bands of Mourning
The second book in the Wax and Wayne trilogy (Not sure if there’s a fourth book to come?) is titled “Shadows of Self” and is titled so, in my opinion, because there’s some heavy introspection that goes on in this book – both on Wax and Wayne’s part. We get some deeper insights into what makes these characters tick in this book. The plot revolves around a rogue murderer that’s going around creating all sorts of mayhem in the city, shaking its very political pillars in the process, starting with the killing of the governor’s brother and it’s upto Wax, Wayne and Marasi to get to the bottom of it. Brandon Sanderson’s magic system itself is somewhat diminished in its use here and the book seems to revolve more around the characters’ interpersonal relationships and how they grow in the process.
Marasi learns how to be more effective in her new role as a detective (having abandoned her original career as a solicitor), traversing the different challenges her office throws at her by way of petty jealousy from her colleagues, Wax and Steris learn to be a little more comfortable with each other, even as Wax is tormented by visions of his old paramour Lessie and even Wayne is shown to have a regretful side, a face we would not expect the playful, impish character to have. There is this amazing flashback-exchange between Wax and his uncle that reveals how Wax was a “lawman” even as a young boy. There is no dearth of excellent dialogues that are very relevant even in our non-allomantic dull real world which suck you into the book the way only Sanderson can. The villian, revealed to be a kandra, plays an important role as well (actually, a-duh-moment), exploiting the weaknesses of Wax and society as a whole.
This book is.. good – the story, the familiar characters, the fights – they’re all very good. I don’t bemoan the time I spent reading it, because I really had fun. But it falls short of a 5-star because the original Mistborn trilogy was still So much better. Let’s see if the next book in the series – Bands of Mourning can change this opinion of mine.
Author : Scott Lynch Preceded by : Red Seas Under Red Skies Succeeded by : The Thorn of Emberlain (Not yet released)
Disclaimer – SPOILER ALERT
If “Red Seas under Red Skies” was a series of waves on a stormy day at sea, “The Republic of Thieves” was nothing short of earthquakes, one after another – some mild tremors, some that make you stand up with a start and a couple that jolt you out of your being and rip apart the very ground you’re standing on. The story starts off where its predecessor stops – with a very ill Locke and an extremely patient Jean (Locke doesn’t seem to want to end books in a healthy state). They try to get physiker after physiker to examine and possibly provide Locke an antidote for the poison the Archon left them with, but with consistent failure. When all hope seems lost, they’re approached by the one person they’d hoped they’d washed their hands off of – a Bondsmage. Patience, as she called herself, proposed a deal with the last remaining Gentlemen Bastards; an election fixture at Karthain in exchange for Locke’s revival to health. With no real options, they begrudgingly find themselves accepting the deal with no real idea of what they were getting themselves into. In all honesty, I Knew they couldn’t Kill off the most interesting protagonist throughout the series with a mere poison, so the introduction of the antidote in this manner was interesting. What Was a let-down though was the manner in which a reunion with their long-lost lady Gentleman Bastard, Sabetha was conducted. She was their rival-to-be in the contest that was the winning of the Election. But this was a minor convenience in the grand scheme of things, so I bemoan it very little. I was left wanting in the previous book, to know more about Sabetha and that was definitely slaked here. Her character despite having received only 33% attention as far as the entire universe (so far) is concerned, has been very fleshed out in this book. Anyway, the rest of the story is a chain of tricks, alternatingly pulled in turn by Locke (aided ably by Jean) and Sabetha, to try and benefit the respective parties they’re trying to help win – Deep Roots and Black Iris respectively. The tricks are crafted skilfully by Scott Lynch, in various degrees of complexity – some are elaborate and some are childishly simple, but they never ceased to amaze me, the reader. Another thing I loved about the book and something Scott has maintained throughout the trilogy is the seamless shifts between stories of the past and the present. The former is a journey of the Bastards into a theatrical production of a play titled “The Republic of Thieves”, which is, if you’re paying attention, the title of the book. The play itself, with Aurin, Ferrin and Amadin felt like the foreshadowing of the whole plot, a story within the story, if you will. The latter brings into focus the rivalry between Locke and Sabetha, even as they grapple with their feelings for one other. And much like how we humans sometimes feel like we’re puppets strung along by invisible forces in this vast drama that is life, Locke, Jean, Sabetha, the parties and the people of Karthain are very much controlled by the all-seeing Bondsmagi of Karthain , primarily ruled by 4 main Archmagi – Archedama Patience, Archedon Providence, Archedama Foresight and Archedon Temperance – and these figureheads have an arc and schemes of their own which we’re slowly led through, the reasons divulged towards the end. There are a lot of minor characters introduced in this book, but they serve their purpose as pawns in schemes and they serve it well – nothing more, nothing less. The presence of the Sanza twins, even as characters in flashbacks, was regaling. The Thorn of Camorr and his Bastard brothers have provided me with a lot of joy and I’ve savored every bit of the story thus far. I look forward to some questions in my mind being answered with the next and possibly final instalment in the series – “The Thorn of Emberlain”.
PS – Look out for the metaphors. Scott loves metaphors.
Dear reader, Please be warned that there are some spoilers ahead. That out of the way, I wish to share with you how I felt upon completing this book, an epistolary, and I hope you will not mind the manner in which this review is presented. Reader, please believe me when I say this book found me rather than my seeking it. A dear friend first sent me a link to the trailer for the Netflix movie version late last year and at the time, I remember being charmed by the trailer, although , it quickly slipped my mind. Early this year, someone at my book club meeting mentioned in passing that they’d watched the movie and that it was actually derived from a book and I remember feeling surprised but again, I paid it no further heed and got on with my life. It was only two weeks ago when I was listening to a podcast that one of the speakers spoke about how she’d stopped referring to her Book Club as such and now referred to it as a “Literary Society” after being influenced and enamoured by the book. By now I was very intrigued and on my very next visit to Blossoms, a lovely bookstore here in Bangalore where I reside, I picked up “The Guernsey Literary and Potato Peel Pie Society” and began reading it the very same day.
And I was hooked.
My dear reader, I tore through the book as though gripped by a monster who craves nothing else but devour page after page of content. At first, Juliet Ashton, who’s something of a protagonist, I will not lie, struck me as something of a bland character, someone who needed crutches upon which to stand; Sidney Stark and his sister Sophie Strachan being the crutches. Her story begins with her bemoaning the lack of a subject about which to write a book. And as fate would have it, a letter drops onto her lap, sent to her by one Mr. Dawsey Adams of Guernsey, an island in the English Channels. He seeks nothing but to thank the previous owner of a book he possesses – Essays of Elia – and to know more about the author of the book, Charles Lamb. It is in this letter that he also mentions the existence of the literary club that he’s a founding member of, on Guernsey. An intrigued Juliet writes back to him and informs him of an avenue where he can obtain a copy of the biography of Charles Lamb and this is where the tale picks up steam.
In the meantime, Juliet is also the recipient of a large and incessant amount of flowers from what is revealed to be a wealthy American publisher and an eventual courter of Juliet, Markham V. Reynolds, Jr. What follows is story of collaboration of Juliet with a host of Guernsey inhabitants and members of the Literary Society which seems more tightly knit than that can be said for blood-related families today. And in them, Juliet found more than just a topic for a book. She found friends, some who eventually became family, I suppose. I loved most of the characters , Reader – the supportive Sophie, the feisty Isola, the quiet Dawsey, the capricious Sidney , the troubled Remy and most of all, the invisible yet amazing Elizabeth. Elizabeth was the founder of the Society, dear Reader and she, while never featured in the book as a character with a voice was one of the strongest characters written in a story. The reason I say this is because she’s shown to have had a personality of selflessness. When she quick-wittedly thought of announcing to a German soldier that her group that was outdoors after curfew was in fact a literary society, when she got romantically involved with Christian Hellman, in spite of his German alliance, recognising him for the good man he was, when she slapped Adelaide Addison for being horrid to the children at Guernsey , and when she, with no concern for her own life, stood up for a fellow woman being tortured at the concentration camp she was held captive at. I love the authors for being so brilliant in creating this strong character.I found myself thinking about the unfairness meted to her and I remember my jaw clenching when I realised that she never had the life she deserved. But then I remembered she was simply a character in a book. I smiled to myself at the realisation of the effect the authors had had on me.
Over time, and with the passing of the story it seemed to me that I might have judged Juliet Ashton’s character prematurely and somewhat harshly, for she matured. She learnt to have a spine of her own and recognised Mark Reynolds for the bully he was and sent him packing on his way when he proposed marriage to her. She came to be a voice for the people of Guernsey and a provider of more than just communication from London and the world outside Guernsey. She adopted Kit, Elizabeth’s daughter and this is one of the things that ingratiated me most to her. And she, like Elizabeth didn’t hesitate once she was sure of the man she wished to marry and spend her life with, and seeked him out.
Is there anything I didn’t like about the book? Well, Sidney’s character seemed a little off-putting at times and Mark was absolutely despicable. But I suppose they were integral to the whole thing, so I shall harp upon them no further.
All in all, I say it again, Reader. I loved this book. It made me feel ..warm. I felt like I was travelling with Juliet every step of the way and I guess that’s how Mary Ann Shaffer and her niece, Annie Barrows intended it. And I urge you to read it as well. 🙂
People mention the pros first and then the cons normally. I’ve never been much of a conformist that way. So first, the negative – Language could do with a little more polish, but given that this is author’s first work, this is largely dismissible, considering the larger number of plus points, which are – A) Lovely pics that give the words surrounding them a pleasant context. B) I found myself highlighting multiple paras and insightful observations the author made – for e.g how the sky has emotions as well that it demonstrates by way of the different climactic conditions, how people look at the moon in the sky and talk to it while longing for the special someone etc. Brilliant. C) By the time I was done with it, I was filled with a genuine sense of lightness. This was a very calming book. Kudos to the author on a first book well written. Looking forward to more works! 😊
Disclaimer 1 – SPOILER ALERT Disclaimer 2 – I had no frame of reference for comparison in the previous book. This time I do. And I intend to make full use of the privilege. There will be multiple references to “The Lies of Locke Lamora”, hereby abbreviated TLoLL.
I started this as soon as I was done with book #1 in the Gentleman Bastard series and that’s saying something about how captivated the first book’s world building left me that I didn’t want to get out of it. This, the 2nd book in the series was very good as well. Did I like it as Much as I did Book 1? No. But it still stood well on its own. Feels familiar to how Well of Ascension was in comparison to The Final Empire (Mistborn #2 and #1 respectively.) If TLoLL had us following Locke Lamora and Jean Tannen solely on land, this time their time was distributed between both land and sea. The book opens to a present-scene of confrontation and double-crossing (Scott Lynch wastes no time) and then we’re taken to a time when their previous story ended and this one began – aboard a ship sailing for Tal Verrar from Camorr. As in TLoLL, here as well, we have multiple timelines being narrated – a timeline of preparation for their activities and setting the stage for the “play” they mean to enact around unsuspecting characters and another timeline 2 years hence where the trickery is afoot. The main antagonists, so to speak, are Requin & Selendri and Maxilan Stragos and Merrain. Initially all Locke and Jean wanted to do was hoodwink Requin at the Sinspire and escape, but they find themselves unwillingly at the mercy of Stragos after the latter poisons them and enlists them as his contractors, giving them the task of stirring up trouble from the seas and bringing back piracy to Tal Verrar, so that he, Stragos could defeat them using his navy and seem victorious in the eyes of the city, so as to seem in control as opposed to his current shunted standing. This puts quite the dent in Locke and Jean’s plans, so they have to improvise their plans to factor this new development and Locke decides to do what he does best – pretend to be a double agent, trying to gain the favors of Requin to beat Stragos, who the Master of the Sinspire does not like either. Following this brief bit of initial setup on land, the duo are sent to sea to pretend Captain and First Mate of a ship called The Red Messenger, assisted and directed behind the scenes by an actual seamaster, Caldris. Unfortunately Caldris dies while they are at sea and they are found out by the crew and mutinied. This is the first of admittedly very few hints of convenience I felt Scott Lynch exploited as he introduced Captain Drakasha and her ship, the very people who the Archon needed as pawns for his plan, into the mix, with no real struggle on Locke and Jean’s part except a few hours of sailing on a boat. Aside from that and a couple other mild issues, I felt the overall plot was well done and tied together. The finesse of TLoLL was missing as was a lot of the banter and Father Chains, Calo, Galdo and Bug were missed. There was also a gaping hole in the non-usage of an “ally” they picked up as they were training for their tower-jumping escapade at The Sinspire. But I’m sure that was a calculated move.
Locke had set himself up to be the primary antihero in TLoLL. Here we see Locke a lot in the background as compared to Jean. Then again, this can be argued to be a plot feature illustrating Locke’s mood and possible post-trauma effects inflicted upon him because of his losses and his wounds. To that end, the romance between Jean and Ezri Delmastro and the focus on their relationship was a pleasant introduction and read; not at all overly mushy as these scenes tend to be. What I also liked was how Scott gave the series a strong female character in Drakasha. I loved the chapters where was in focus and her way of balancing a ship as well as her role as a mother. The touch of insistence that a cat and a woman were necessary for a smooth sailing and several minute details were also very welcome.
One thing I noticed particularly was how we see Stragos’ mind at work in one of the chapters – his perspective was given importance. We’ve been used to seeing only the protagonists’ perspectives thus far. This also set the tone for Merrain as a far more important player than she portrayed herself to be, which was evident when she escaped despite Jean and Locke’s efforts and plans. Another thing that I loved was the consistency in the relationship between Jean and Locke; they remained thick as …well..thieves throughout, even with that one minor argument they had that they bounced back from relatively quickly, ego suppressed and all that. Well done. And Locke’s act in the final scene was lovely. Sealed the deal and all that.
I won’t tell you how the book ends for two reasons – If you’ve read it, you already know. And if you haven’t, I’d rather you discover this bit for yourself. I can’t rob you of that pleasure even if you did sign up for the spoilers.
I’m definitely looking forward to reading The Republic of Thieves for 3 reasons – The Bondsmagi of Karthain, Sabetha’s arc and to see if Locke escapes the clutches of death again.
PS – Learnt a lot about ships and nautical terms in this book. Good, that.
I find myself shaking my head in amazement, shuddering as I write this. This was one hell of a journey. I started this having finished a few Sanderson books and my head was full of magic systems and I somehow led myself to believe that this book was along those same lines. But as I started reading and finding no hints of any visible sorcery (atleast in the first half), I thought I would be disappointed, but the disappointment never came. I just felt more and more sucked in with each passing page. Right from the get-go in fact, when “Father” Chains is introduced to the would-be Thorn of Camorr, the grasp of a promised-roller coaster held on tight and never let go. Locke’s weaving in and out of disguises as Lucas Fehrwright, a Midnighter and everything in between, and his camaraderie with the Gentleman Bastards – Calo, Galdo, Bug and Jean was everything I could have wanted in a book if not more. All the minor and “boss” antagonists (Conte, the Capas )are given a believable amount of power and matched well against the protagonists which is more than I can say for many other books which leave you feeling a sense of disbelief at the protagonist’s sudden victory or his/her unfair ease. Scott Lynch’s writing style of alternating between the present-day-plot and the trainings-in-the-past make for an interesting experience as well. Over the chapters you come to recognise that what he talks about as an episode or a learning in the past will be relevant almost immediately in the chapters to come as an instrument in the present. The language is very rich as well. At many times I found myself marvelling over the exquisite (yet not overly grandiose) construction of sentences. The story is compelling on its own merit as well, even without the rich characters and detailed world building (Shades Hill, Perelando etc) . We start off with the fleshing of characters, followed by a well crafted masterplan of theft, all of which pale smoothly when you realise what the story is really about – Revenge.
I loved it.
Favorite quotes – (Reveal) Such was the custom with every note that was sealed in blue with nothing but the stylized sigin of a spider for its credentials. : Chapter 9
(Revenge) “When you see the Crooked Warden,” said Locke, twisting something in his hands, “tell him that Locke Lamora learns slowly, but he learns well. And when you see my friends, you tell them that there are more of you on the way.” : Chapter 10
(Healing) “You are learning that what you require and what your frame may endure can be two very different things.” : Chapter 12
“My life to yours, my Breath become yours.” Breath and colors. That’s what this book uses as tools in an articulate game of War. The central characters are Siri, Vivenna, Susebron, Vasher, Nightblood, LightSong and Denth. None of these names mean anything to you if you haven’t read the book yet. Anyway, the book starts off with the attempt of a treaty fulfilment between Idris and Hallandren, the two cities at the center of this story, the former a minor kingdom desiring to appease the latter. To this end, a princess is to be sent from Idris to Hallandren so a royal heir can be obtained to take over and continue the current God King’s rule. But the king of Idris sends the youngest of his daughters Siri as opposed to the eldest, Vivenna who should have rightfully been sent. This in itself wouldn’t have been a problem, but the political unrest that is already present in Hallandren as a result of resident Idrian rebels is what kickstarts the rest of the drama that unfolds. And that’s what this really is at the end of the day – a political drama with a magic system that has two feet to stand on its own but when I compare it to Mistborn, the system that revolves around Breath and “Awakening” really didn’t appeal to me all that much. It was a good story, with its highs and lows and suspense-points, but I didn’t have the same kind of high at the end as I did when I finished The Hero of Ages. What I did enjoy however was the plentiful banter between sets of characters – Lightsong and Blushweaver, Denth and Tonk Fah, Nightsong and Vasher (such as it was). I loved the way he grew the relationship between Siri and Susebron from one of one-sided fear to the stable relationship it culminated in (not a spoiler). And I will say this for Sanderson – he does not leave many loose ends. I’d have liked to know if Fafen ever did anything of consequence , for example. But that is still an itch that is solely in my mind and has no bearing as far as the story is concerned which tied together well enough. All in all, a good read.